Heal
The World (2011)
curatorial
concept project
Muzeum
Sztuki in Lodz / ms2, 14 Oct - 6 Nov 2011
"Make
a little space, make a better place…"
Michael Jackson
Michael Jackson
Heal
The World is
an exhibition at Muzeum Sztuki with no art in it. Is this at all
possible in the times of permanent aestheticization? Joseph Beuys,
treating art as a tool for great social change, emphasised
extraartistic values. He wanted to revive the spirit. What, then, is
the wooden box brought by him as a part of Polentransport
1981 today?
Is a collection of pieces of paper and small items signed by the
artist able to ignite a revolutionary flame in anyone? Beuys’ work,
particularly after his death, has been reduced to a signature, a
brand name. Each piece of felt, a lump of fat, a can, a dirty bottle
have been dubbed artefacts, aesthetised, priced, secured and insured.
Museum exhibition cases containing shaman’s objects repel with
their stale feel – we find it difficult to see their original
energy in them. Paradoxically, the life-giving touch of the
artist-demiurge has transformed the items into dead exhibition
pieces, frequently fetishisised disproportionately to their
potential.
The
objects collected for the Heal
The World exhibition
are devoid of aura. Although they serve noble causes, they are just
objects that will return to reality they came from. They look absurd
in glass exhibition cases, pretending to be “art”. Similarly, the
text covering the “Rules of adjusting forest management in
Białowieża Forest to the needs of sustaining its natural qualities”
seems to be much less attractive than the idea of planting 7000 oaks.
Indeed, who really cares for saproxylic Coleoptera?
Today,
probably more than ever, that which is political becomes fashionable,
aesthetic, sexy. Yet, at every turn we realise that the seeming
“neutrality”, “transparency” of the language of socially
involved art is fictitious. On the other hand, for charities and for
social activists who truly put Beuysian ideas into action, aesthetics
is not a primary concern or it does not exist altogether. It is no
wonder, as this is not what their actions are about; sometimes,
though, it is a shame that ignorance of these aspects is so great.
Arguably,
it could be said that now a majority of vital changes in social
awareness take place by means of pop culture. Beuys used to say, “I
have to look like a character from a fairy-tale to reach people with
ideas”; would Michael Jackson not have agreed with these words?
Karol
Radziszewski / curatorial text
With the participation of:
With the participation of:
Amnesty
International Polska, Caritas Polska, Dom Pomocy Społecznej nr 6 w
Łodzi, Feminoteka, Fundacja Ewy Błaszczyk „AKOGO?”, Fundacja
Gajusz, Fundacja „Na ratunek dzieciom z chorobą nowotworową”,
Fundacja Pomocy Dzieciom „Jaś i Małgosia”, Greenpeace Polska,
Ogólnopolskie Towarzystwo Ochrony Zwierząt „Animals”, „Polska
Akcja Humanitarna”, Stowarzyszenie „SOS Wioski Dziecięce w
Polsce”, Towarzystwo Pomocy im. Św. Brata Alberta.
Documentation
of the exhibition: Piotr Tomczyk
Folder design: Hakobo
Folder design: Hakobo
see the original post here.
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